[vc_row css_animation=”fadeIn” iron_row_type=”full_width” iron_remove_padding_medium=”tabletnopadding” iron_remove_padding_small=”” iron_overlay_pattern=”” iron_parallax=”parallax” iron_bg_video=”” css=”.vc_custom_1617430110574{padding-top: 13% !important;padding-bottom: 13% !important;background-image: url(https://samuelsaintthomas.com/wp-content/uploads/2021/04/IMG_0664.jpg?id=6852) !important;}”][vc_column][vc_custom_heading text=”” font_container=”tag:h2|font_size:13px|text_align:center|color:%23e8b7a1|line_height:15px” google_fonts=”font_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” fit_bg_text=”0″][vc_empty_space height=”30px”][vc_custom_heading text=”An agnostic way of
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Richard Serra, Scatter Piece, 1967, Dia: Beacon, NY / Photo ©2020 Samuel Saint Thomas
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Robert Smithson, Gravel Mirrors with Cracks and Dust, 1968, Dia: Beacon, NY / Photo ©2020 Samuel Saint Thomas
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